I just realized I missed my granddaughter's birthday last month. It is hard to remember when I don't do the simple task of setting up a birthday calendar.
Pencil crayon, pen and ink, acrylic ink on paper, 6 1/2" x 5" Last night I decided to stay home and work on my drawing instead of going out to take part in an evening with the Vancouver Folk Song Society. It was hard to make the choice, because both of these activities are my contribution to the antidote for authoritarianism and feel equally important. I had a key pattern in progress and I was ready to put the third, final layer of lines, colour and washes. I was curious to see how it would turn out and that is where I put my energy. In his book, "Celtic art: The methods of construction", George Bain has a chapter on Key Patterns. I have added information from his book to give background about the meaning and significance of key pattern design. Some Chinese key patterns belong to periods prior to BC 1,000. In the British Museum there is an Egyptian carving showing a key pattern and interlacing dating BC 3500 - BC 3000. Square and diagonal key patterns engraved o...
Graphite, pencil crayon on mylar - 12" x 9" Last night I decided to stay in instead of going out to an open mic evening. I am recovering from burn out. I used up my energy on an artist date to the art supply store at midday with my good friends, Christine and Louise. I couldn't wait to try my new drawing materials. I was happy to stay home with the dog for the evening. Ellen Dissanayke describes how pre-contact human tribal societies show a common trait of calling themselves 'people' (human) and neighouring tribes (non tribe members) 'other' (non-human) (Dissanayake, 1995 p. 15). This construction of human identity seems self-evident and passes uncontested. Humans everywhere tend to consider themselves and their immediate kind to be the measure of all things. The pear drawing project continues. There are four pears on the windowsill. Three of them are loosely grouped to the left of the picture frame. The fourth pear is turned to the extreme right, peerin...
Graphite, pencil crayon on tracing paper - 6 1/2" x 8 1/2" It is a quiet late winter afternoon. Something about Adele's glance caught my eye and I was inspired to make a drawing. The image in this post is a scan of a drawing. The process of drawing creates a space for contemplation, between the experience of observing Adele in the chair, capturing a series of photographs of the moment, selecting a photo to use as a reference for drawing, and then working up the drawing through a series of drawing sessions. Adele has been curled up on one of her many favourite chairs, never more than a few steps away from me. Something in her surroundings has roused her and put her on alert. Each drawing session (there were three or four to create this drawing), is a unique experience of consideration, of thinking about and persevering against the force of recurring questions: Is this image worth drawing? Are my artistic efforts worth doing? What does this image say to me? What does this...
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